Monique lives and works on Yuggara & Turrbul country, in a place traditionally known as Tuwong (a Turrbul word for the Pacific koel). This land, and all of Australia, was never ceded by the First Nations owners.

BIO

Wielding a cello and strikingly crafted vocals, Monique Clare delivers indie-folk laced with chamber pop. Driving rhythms collide with intricate cello lines; heart-tugging harmonies are woven through compelling vocals. Her lyrics speak to the ruminations of her generation and dive deep into the universal experiences of love and loss.  Her disarmingly candid stage presence is born from years of international touring with The Maes and session work for everyone from Kate Miller-Heidke to Eminem. With a smile as wide as the Cheshire cat’s, and an audacious tendency to reveal her deepest secrets onstage, her live show is cathartic, adventurous and mesmerising. She draws listeners into her storytelling, sifting through the raw, the imperfect and the unspoken. Always seeking connection, she craves the rush of an intimately honest performance.

Raised by a singer and a pipe organist who shared a mutual love of Bach, Gregorian chant and French Impressionist harmony, Monique grew up in a habitat of choirs, surrounded by layers of individual voices forming an immersive wall of sound. While she grew up in a musical family, it took her 13 years to discover Björk, 16 to form a Radiohead obsession, 21 to catch on to The Beatles and 26 to fall in love with Joni Mitchell.

On top of this musical baptism of fire has been an array of experiences as a multi-genre session musician. From touring internationally with Melbourne outfit The Maes, to being a hired gun for world-class artists such as Kate Miller-Heidke, The Whitlams, Katie Noonan and Eminem, to accompanying legendary fiddle player Darol Anger, she’s absorbed a set of entirely divergent genres and approaches to music. Playing on stages like the Melbourne Cricket Ground, Woodford Amphitheatre and the Orkney Folk Festival with these artists has given her an unshakable stage presence that she carries into her own shows.

Monique's fearless and intrepid nature craves adventure, from teaching cello in war-torn Afghanistan to leading groups of listeners up a mountainside in the dark for a sunrise concert. She jumps into cold water as a ritualistic reminder that anything is possible. Through her songwriting, Monique challenges her listeners to do the same: be vulnerable and courageous.

2021 saw Monique represent Australia at the World Expo in Dubai, record and release an international co-write with Amanda Rheaume in a project supported by Folk Music Canada, and produce collaborations with musicians from around the world as part of Global Music Match. Her debut album ‘Sight’ was released in 2022, debuting at #11 on the AIR independent charts and featured on ABC’s The Music Show.

Awards

  • 2024 Danny award recipient, Celtic Connections (SCO)

  • 2023 Contemporary Album of the Year, Australian Folk Music Awards

  • 2023 Contemporary Classical Song of the Year, Queensland Music Awards

  • 2021 Best Music Video, West End Film Festival

  • 2017 Young Artist of the Year, Folk Alliance Australia

  • 2017 Ros Hales Award for Women in Music

PRAISE FOR SINGLE, ‘BETTER NOW’

“(Better Now) lends itself to deep textures that shimmer with celebration…there's a depth of not just sonic interest, but personality”
- Scenestr Magazine

“…A wonderfully organic take on pop - you can feel the thumbprint of her work all over this track”
- Dave Ruby Howe, Triple J Unearthed

“The song rises and falls, builds intensity and gives way to pensive delicacy in such a satisfying way.”
- Jerry Ijale Agbinya, Triple J Unearthed

“Wow, what a sound”
- ABC Saturday Night Country

“A rare talent”
- Inner FM

PRAISE FOR SINGLE, ‘IT WORKS’

“Beautiful, dark, and alluring”

- Nkechi, Triple J

“Bold, clever and vivid… Icicle sharp vocals…reminiscent of the incredible voice of Kate Miller-Heidke”

- BMA Magazine 

“Powerful”

- The Music

“An impressive and magnificent single”

- Music Is My Muse

Photo credit: Lauren Bartkowiak

QUOTES

“Touching…incredibly beautiful”

- Andrew Ford, The Music Show ABC

“Monique is most obviously a virtuoso, and can tease musical sounds from her instrument and combine them in a way that is truly fascinating…when joined together with that overarching clear vocal, we have a synergy of sound”

– John Lamp, The Pulse

“The most incredible musician…a must see this festival”

- The National Folk Festival (AUS)

“A force to be reckoned with”

- Playlist Play

"Monique brings courage and a zeal for life together in her music - she’s a joy to hear".

- Punch Brothers bassist, Paul Kowert

"Her raw and honest lyrics (spoke) to each person in the audience".

- CutCommon Magazine

“There's a depth of not just sonic interest, but personality, that by using her cello accentuates both Monique's musical style and her persona.”

- Scenestr Magazine

“Monique takes her years of music training and her brilliantly quick and creative mind and delivers a performance that is stunning to fans of any music genre. Her songs are intimate and soaring - both sonically and lyrically, and her stage presence is pure joy".

- Matt Smith, Folk Alliance International president 

“Monique Clare captivated her audience at The Black Malabar with her raw talent and inescapably honest songwriting”

-Zac Perrington, The Black Malabar 

"Absolutely delicious"

-Wendy Harmer, ABC Sydney

Monique is an endorsed D’Addario Artist and plays on Kaplan cello strings.

“Kaplans are meaty, robust, and particularly good for rhythmic, chordal playing. For my work, which involves multi-genre, amplified performances; accompanying singing; playing trad fiddle tunes and occasionally crossing back over to classical - Kaplans are the best.”